Amy trained at Bristol Old Vic Theatre School and works across the spectrum of theatre practice; designing for devised and scripted, large and small scale productions, tours and creative learning projects. She also is a Design and AutoCAD tutor, Propmaker and Scenic Artist.

Online Portfolio:

'Shirley Valentine' Adam Spiegel Productions. photo Manuel Harlan

'...Amy Yardley's clever design, first of a kitchen, angled walls centred on the stage then of huge rocks on the beach again helping to centre the action without Prenger ever appearing lost. Thoughtful and skilful design.' - Roger Clarke

'The Secret Garden' Bury St Edmunds Theatre Royal.

'Romeo and Juliet' Shakespeare's Rose photo Charlotte Graham

' attractive production...Amy Yardley’s design, with its sky-blue shutters and floral window boxes, conjures up an Italianate sunniness; to convey bustle or tumult, the stage is strewn with flowers or pelted with lemons.'

Sam Marlowe, The Times

'Around the World in 80 Days' - Bury St Edmunds Theatre Royal

"Amy Yardley’s set is terrific: evocative, flexible, witty, permitting everything from the Albany and a suttee to an elephant ride and train-roof chase" Libby Purves

(Around the World in 80 Days - Bury St Edmunds Theatre Royal)

'Little Red Riding Hood' The Point, Eastleigh

'The Rivals' - Colchester Mercury

'The design was spot on, with a stripped-back industrial set, stunningly lit up with dressing room-style lighting.' - Colchester Gazette

'Bette and Joan: The Final Curtain' - Foursight/Mac/Assembly/Jackson's Lane/St James

'...impeccable, elegantly staged and dressed' QX Magazine

'Cider With Rosie' - Mercury Colchester

'I am a Camera' - Rosemary Branch (off west end award best design nomination)

An excellent production , full of pace and strident direction, beautiful sets, stunning costumes, atmospheric sound design and a superb lighting design. All in all a definite MUST SEE. 5 STARS WELL EARNED.

'The Caucasian Chalk Circle' - Mercury Colchester

'Pinocchio' - The Point, Eastleigh